“Thank you! I was surprised to receive an Email directly from the author of the book, it is a good occasion to thank you for sharing your knowledge. In Indian mythology and culture the bamboo flute, also known as the bansuri has a special significance as it is the chosen instrument of the Lord Krishna, who is often, depicted playing it. It’s been a big help with my playing so far and I tend to not find myself playing the bansuri without having your book open as well.” Learning Bansuri Bansuri is one of the oldest known musical instruments in the world. “I received your book a couple of months ago and have been burning through it.
#How to play bansuri how to#
Considering that the art of the Bansuri is primarily an oral tradition, your achievement via the printed word is even more noteworthy! Perhaps you should consider publishing an instructional DVD (or two) to complement the book. In this video I have cover how to play SA RE GA MA PA DHA NI SA SA NI DHA PA MA GA RE SA If you have any questions please send me and email Thank you www.ban.
#How to play bansuri professional#
As a professional musician and teacher I have observed over the years that there are not many fine players who are able to communicate precise, detailed explanations of the concepts and mechanics relating to the playing of their instrument. “In studying your wonderful book on playing the Bansuri it is obvious to me that you have a gift for imparting complex technical information in a clear and accessible fashion. I especially like it because it tackles classical bansuri playing as well as discussing how to use the bansuri in more contemporary “Western” music. I’ve been working my way through it chapter by chapter, becoming progressively more impressed as I go…If anyone is thinking of learning to play the bansuri, short of getting lessons with a master of the instrument, this is probably the best investment you can make. Just remember that there are NO SHORTCUTS to playing the bansuri so do not expect to pick up the flute and suddenly play. If you have never played a wind instrument before, this can be a very difficult and frustrating task to begin with but you must keep trying, be patient and above all do not give up. Technical writing is not an easy thing to do, and his style is both articulate and accessible, and the material is totally comprehensive. STEP 1: GETTING A SOUND FROM THE BANSURI. “This book is fantastic! I’ve got to give kudos to Joshua–he is a really gifted writer. I have found this book to be a significant complement to the traditional approach to the bansuri, and it is my pleasure to recommend it.”
His clear and systematic approach to alternate fingerings opens up numerous possibilities for jazz and world music musicians as well as students of Indian music. “Joshua Geisler’s Chromatic Bansuri is an innovative and important resource for anyone seeking to expand their proficiency on the Indian Bansuri bamboo flute. Over 50 pages like the one above, from very simple to very complex. Dizziness and tingling feelings in your limbs are normal at this stage-use them as a signal to rest.Īfter you get the initial sound, keep the head joint handy and blow it at odd moments to help you gain consistency.Fingering charts for exercises in all 12 keys. It’s best to try for only brief periods and come back to it frequently. On any but a thick‑walled flute, make sure your bottom lip is relaxed-pressing it down will tire your lips very quickly. Also, trying varying the shape and pressure of your blowing, and how far your bottom lip extends over the hole. Learn to play the bansuri in a supportive and enjoyable environment and where you will be given opportunities to perform at Harrow Arts Centre. Rotate the flute to change the angle at which your breath hits the blowing edge.
If your blowing produces no sound, check your bottom lip to make sure you’re not unconsciously pulling it up. You would press your bottom lip harder against the head joint-instead of relaxing it-and draw back the corners of your lips more tightly.) These flutes require a more “muscular” embouchure in order to bring out their rich and powerful tone. (The instructions for a thick‑walled flute, such as from wood, are slightly different. Don’t lift up your bottom lip as you blow! Point your lips diagonally downward and blow a solid stream of air directly at the opposite edge of the mouth hole. Center this opening above the mouth hole-even if the opening isn’t in the exact center of your mouth. Now, press your lips together at the corners and sides, leaving a roughly oval opening at the front of your mouth. It should cover about a quarter of the mouth hole. Lay your bottom lip loosely over the edge of the mouth hole-not pulled up, or curled under itself, or pressed down hard against the flute. The mouth hole of the flute should be pointed directly upward, and your head should be held straight up.
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